Saturday, February 11, 2012

Learn Piano Songs For Jazz - 5 Quick Tips

Anyone can learn piano songs for jazz, especially if you take the time to really listen, appreciate, and dissect the characteristics of this upbeat style of music. Some would think it's a really hard style to master, and they could be right. However, jazz can also be considered the most expressive, emotional, and customizable style you can play on the piano.

The beauty of jazz songs translates even more in the ability of pianists to change their speed and style. This leaves plenty of room for jazz pianists to experiment and improvise on the same song, later creating a totally new yet familiar sound.

If you've been playing the piano for a while now, you may have always wanted to learn piano songs for jazz but were just too intimidated by it. You're definitely not alone. You should know, however, that once you start familiarizing yourself with common jazz melodies, rhythms, and harmonies, you'll have so much fun playing it.

Here are some piano-playing tips and tricks which you'll need to become a really good jazz musician:

1. Utilize your hearing. Jazz pianists rely heavily on their sense of hearing. As you start off and learn piano songs for jazz, it could all be about mastering standard dotted notes and chord progressions. But as time goes on, you need to have sharp listening skills to improve and create even more beautiful music.

Developing an ear for jazz isn't as complicated as you might imagine. Start by exposing yourself to jazz music and listening to the many jazz piano greats that have produced countless of moving masterpieces. Take a load of both contemporary and legendary jazz pianists so you can appreciate, compare, and even hone on their individual styles. As you discover the artists and songs that appeal more to you, you can take note of their commonalities and maybe even infuse them in your own style of playing as you progress.

2. Familiarize yourself with common jazz rhythms and harmonic structures. Jazz music certainly uses a lot of eighth notes, dotted notes, and seventh chords to give it flavor and a rather distinctive quality. Now, depending on where in the piece you often use them and how fast or slow you go, you can end up with a rock feel, a blues feel, or a swing feel. Getting familiar with these characteristics will definitely help you learn piano songs fast.

3. Master the 12 major scales. Reading sheet music may appear boring to some, but it is essential in playing piano well. Knowing basic piano theories, scales, and chord progressions will make learning to play jazz piano really effortless.

4. Consider signing up for a short jazz piano course to learn piano songs. More often than not, learning can be a lot faster if you have the right teacher. If you don't have the luxury of attending prestigious music schools, a quick jazz piano tutorial or online piano course ought to do the trick.

5. Experiment. Don't hesitate to add a little of your own style to the music you make. After all, that's what jazz is really about - spontaneous, passionate self-expression and rhythmic music that's inviting to other listeners as well.

There's certainly more to mastering jazz, but with these 5 quick tips in mind, you'll find it much easier to learn piano songs and even have fun doing it.

Best Jazz Christmas Music

Send Jazz Christmas greetings and give your friends a holiday delight for the season. There is nothing as pleasing as Christmas jazz music playing soft and subtle on a winters evening. Get jazz downloads on your mp3 player, iPod, computer, or your phone, so many ways to listen to great jazz Christmas songs. Jazz download options are all over the web with easy applications, making melodious music available for everyone. Jazz Christmas music sets off the season of celebration and reflection. Best jazz songs are smooth and easy creating any mood the listener wants, celebrate or think of old times and this silky music will take you there.

Listen to jazzy music in the car, in your garage, your bedroom or while out on a run. There is no special time for this listening pleasure. Sounds of Christmas are heavily described by this line of melody. With jazz you love to listen to every note, the ups and downs and the emphasis on the notes that make you remember, the season, the day, and what you were doing at the time you heard the son. This music helps to organize your memories,the smells and sounds of Christmas. Any time you want to harvest your recollections turn on a jazzy sound and it will take you back to what ever point of time you chose.

Use these great songs for telephone ring tones. Get really creative and build an intercom system and fill your house with jazz tunes. Tunes are good for long drives and working on a busy day, they keep you focused and moving in the direction you want to go.

People all over listen to great music, there is no special social group, and listening is a special treasure. Some tunes are so popular once you hear the first few notes you know the song. Television Shows have made a fortune off the love people have for music. Now, downloads are so simple to get and to listen to whether you want to get one or only a few.

Picture your favourite jazz song for Christmas and download it to your MP3 player use it the whole holiday season and even after. There will be no commercials interrupting your listening and no scratchy noises, only the music; this is the beauty of download. With great songs keeping fit is easier usually the body will get busy from the beat or you will relax all together. Melodies are soothing or exhilarating, and you get to decide with the songs you choose.

Everyone knows music has the power to make you happy or sad, it can help get a person through a bad situation or it can help you come to grips with life. Music is a special gift and it is available at very reasonable prices, and yes, much of it is still free but there are times when you want a particular piece, this is when getting music sent to your mechanical gadgets is helpful. Getting the music you want for the holiday season does not have to wait; get it when you want.

Jazz Music: History of Jazz Music in Kansas City

From its beginnings as nothing more than a simple trading post on the banks of the Missouri river, to its raucous heyday in the 1920's and 30's, Kansas City has retained the independent spirit of its frontier beginnings. Even though an assortment of colorful characters, cowboys, politicians, criminals, and even wagon trains populate the history of Kansas City, you can forget everything you've ever heard about it being a "cow town." Today, the outgrowth of that colorful history and frontier spirit radiates energetically throughout the city
and its populace.

Widely regarded as the birthplace of Jazz. KC's early reputation as a "wide-open, anything goes" city captivated and allured the musical performers of the day. It's central location and ease of access via rail were the other components which induced this musical migration. Kansas City became a haven for musicians and fans alike.

The musicians, who interpreted their experiences in KC's permissive environment through their music, were also creating the elastic techniques and musical license, which remain at the heart of Jazz today. The hub of this development was the
18th and Vine district. Many legendary musicians, Count Basie, Ella Fitzgerald, Joe Turner and Charlie Parker to name a few, made their way to Kansas City. Their connection to one another and to the Kansas City "scene" brought about a unique musical expansion which enriched the city's history and initiated the genesis of Jazz.

Kansas City's affiliation with Jazz is celebrated daily at the American Jazz Museum
in the 18th and Vine District and nightly at clubs and restaurants throughout the city.
Live Jazz and Blues are still an important part of the Kansas City entertainment and nightlife scene.

Kansas City's early sports history, specifically its affiliation with Negro League Baseball, is showcased in detail at the Negro League Baseball Museum.

Also located at the 18th and Vine District, the museum documents the history of Negro League Baseball from its beginnings in the mid 1800's, to its demise in the 1960's. If you are interested in this facet of the histoy of baseball, a visit to this museum is highly recommended.


Paul Hardcastle "Hardcastle 4" Smooth Jazz Music CD Review

Paul Hardcastle, the richly talented Smooth Jazz artist has released his latest CD titled Hardcastle 4 and Wow! It's really a good one.

I wish it weren't the case but, it's not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can't force myself to get through. Not at all the case with Hardcastle 4. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Hardcastle 4 has a pleasantly varied, mix of 13 tracks that are very well written songs by this clearly talented artist.

Paul Hardcastle is one of those musicians that it's really a treat to be able to listen to.

Overall Hardcastle 4 is outstanding from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Smooth Jazz fan. Really sensational from beginning to end.

While this entire album is really very good some of my favorites are track 2, Freefall, track 3, Smooth Jazz Is Bumpin, track 4, Keeping It Real.

My SmoothLee Bonus Pick, and the one that got Sore [ in "Stuck On REpeat"] is track 9, Where Are You Now. Outstanding!

Hardcastle 4 Release Notes:

Paul Hardcastle originally released Hardcastle 4 on Jul 12, 2005 on the Trippin 'N' Rhythm Records label.

CD Track List Follows:

1. Serene

2. Freefall

3. Smooth Jazz Is Bumpin

4. Keeping It Real

5. Moments In Time

6. Was It Love

7. Midnight Moon

8. Eastern Winds

9. Where Are You Now

10. Straight Ahead

11. Time To Reflect

12. Journey Of The Lost Tribes

13. Untitled - (hidden track)

Personnel: Paul Hardcastle (keyboards, synthesizer, programming); Maxine Hardcastle (vocals); Adam Drake (guitar); Snake Davis, Scott Brooker (saxophone).

Where Can I Hear Live Jazz Music?

Jazz is a dying breed of music. Today's genre of music has drifted from the classics and ran towards rap, pop, and rock and roll. Jazz will never be forgotten though. Jazz music is some of the greatest American music to this day.*The other day I was wondering where I can hear live jazz music? So I did some investigating to find out some options for those classic jazz lovers.

Jazz is still popular world wide, but you have to really look in some areas to find what you are looking for. Some times it is just best to go back to where jazz grew up. Get back to the roots of music itself to find some great jazz classics. Kansas City, Boston, and New Orleans are three major cities that pride themselves on their great jazz clubs. At these clubs you can hear live performances of originally made jazz music and live renditions of your favorite jazz artists from the past. Jazz clubs are a great place to have a few drinks and just step into a time machine. Jazz music is music with a soul of its own and gave birth to many new styles of music today.

Others have asked me, "Where can I live jazz music without leaving the house?" This is a very good question and not to difficult to answer either. If you want to hear the live styles of your favorite jazz musicians you can always look up some great jazz stations on your radio. It may not be as great as hearing them live and in person, but you can still hear great live performances from the comfort of your own home. Some of these radio stations can really bring jazz to life and by closing your eyes you can actually feel like you are at a true jazz concert with your favorite oldies.

Jazz is a style of music that really moves people. It is really catchy and great to move your feet to. A lot of major cities in America have areas commemorated to the time of jazz. In Chicago, one of my favorite places where I can hear live jazz music, you can hear great musicians playing jazz on nearly every street corner. Jazz has a lot of heart and will never really die and definitely will never be forgotten. You can find people on corners with their saxophone case open on the sidewalk as people leave donations while they play away the blues.

Jazz will forever go down in history as one of the greatest styles of music ever created. As long as America still knows music jazz clubs will always be around. These clubs have become a shrine to the greats who started jazz and help keep these greats close to the heart of America. So the next time someone asks you, "Where can I hear live jazz music?" You can say, "Just around the corner."

Brian Culbertson "It's On Tonight" Smooth Jazz Music CD Review

Oh My Goodness!!!

These three words perfectly express what I think of Brian Culbertson's seductively titled "It's On Tonight" CD.

This CD, although mostly containing songs completely without lyrics, comes extremely close to being explicit. I mean it just drips track after seductive track with some of the most intensely suggestive smooth jazz music you'll ever hear.

It starts off HOT with track 1, Let's Get Started and only gets hotter.

Track 4, Sensuality, he should have just flat out named "Sex". It's that good.

These days it's a very rare CD on which every single song is good or better than the one before it. This CD is certainly one of those rare CDs.

Smooth Jazz music fans will recognize some of the well known guests that have been assembled to play along with Culbertson on several of the tracks. Artists like Boney James, Kirk Whalum and the incomparable Chris Botti just to name a few.

Fans of smooth vocalists will enjoy the contributions made by Will Downing, Patti Austin and Marc Nelson to songs on this CD as well.

If you're a Brian Culbertson fan this is a CD your collection flat cannot be without. In fact, this is one of those CDs that you don't even have to be a fan of Culbertson, or even smooth jazz to know is good. It's just good music. Period.

The standout tunes are The Way You Feel [track 5], Dreaming of You [track 7], and Secret Affair [track 9]. My SmoothLee Bonus Pick, and the one that got Sore [ in "Stuck On REpeat"] is track 4, Sensuality. Wow! Be very careful who you're in the room with when you press play on this one. Unless of course...

You were warned.

Release Notes:

This CD was originally released July 26, 2005 on the GRP Records label.

CD track list follows:

1. Let's Get Started

2. Hookin' Up

3. It's On Tonight

4. Sensuality

5. The Way You Feel

6. Forbidden Love

7. Dreaming Of You

8. Wear It Out

9. Secret Affair

10. Touch Me

11. Love Will Never Let You Down

12. Reflections

Jazz Music and Its Significance in US History

Jazz music which is thought to be an art creation of the American blacks during the early decades of the twentieth century has bedn an important subject of the social history of US. It gained popularity not only as an art form but it also helped the hapless blacks, who were the offspring of the enslaved African origin blacks brought into America by the white settlers to exploit them for their labor needs, to gain a social standing through the power of music. They, with the help of influential jazz music, brought to limelight the miseries that they are suffering because of the racial hatred.

Initially the jazz music flourished in the South American region. New Orleans was especially very dear to this art. From there it traveled to all parts of America. In the beginning years there was strong resistance seen on the part of whites who could not see the blacks progressing in some field. But despite all their malicious efforts to suppress the jazz music being spread into society, they themselves were vanquished by its influence. It made itself as a hallmark of the US culture. Whites and immigrants from other regions of world were seen getting into this music.

The music when adopted by people from different ethnic backgrounds living in the multicultural society of US groomed further and many other variations were developed of it. All these happenings with the jazz were signifying the growing influence of the Negroes. The lyrics of their songs, especially the improvisation technique used in the Jazz which allows the singer to sing without even the tune, were expressive of their true emotions and their social sufferings on being the isolated and neglected portion of the society. It, in a sense, played a considerable role in reducing the racial differences. Other people of different ethnicities also used it to raise their voice.

Jazz was setting its roots in the music landscape and became popular in all people. Because of its rapid development people started calling it the rise of 'Jazz Culture' in America.

It was just after the end of slavery in US the Jazz music started to grow. The slave trade, though it was ended by the American law, had profound effects for the US society. It generated a milieu of hatred for blacks toward whites and vice versa. This legacy had to last for generations and according to the recent studies there is still a huge tendency of racism that exist in American people. In addition to this there were immigrants from other regions of the world that further amplified the diversity and nationalistic feelings among people who were now living together in the multi-ethnic society of US. In such an atmosphere the empowerment of blacks through the help of their arts movements was a historic marvel. It was not just music that was their sole part of the black arts movement. Other genres of art like poetry, fiction, fashion were also distinctively used by them

In the city of New Orleans where the Jazz music was born there was a peculiar tradition among people. During the funerals the people were consoled by these jazz singers who used to play funeral songs that soothed the family and friends of the dead person. This practice was becoming more and more prominent and was taking a shape of a must element of funeral processions. Moreover the people of New Orleans were very fond of holding music parties, concerts, balls,etc. that further paved the way for jazz to get fame among people. In this way the city of New Orleans mushroomed jazz culture and is therefore called the mother city of jazz music. One of the most famous and much cherished jazz singer Louis Armstrong also belonged to that place.

From New Orleans Jazz was entering into the boundaries of New York and Chicago. These cities also proved to be welcoming for it. So large was becoming its influence that many recording companies, who initially were not providing equal opportunity to black artists to record their albums, started to give access to these jazz singers to prepare their albums in the recording houses. That rapidly boosted the growth of jazz music. Firstly the recording companies which were mainly owned by whites were skeptic that the jazz would be liked by the greater masses.

SGerald Albright "New Beginnings" mooth Jazz Music CD Review

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New Beginnings is the latest smooth jazz CD released by Gerald Albright. The title most likely coming as a result of a lot of new things in Albrights life including a new recording label and a new Colorado home.

The CD made it's debut at number one and there is very clearly a reason for that. It's simply an excellent collection and vintage Albright.

Contributors on the project includes an amazing line up of smooth jazz and music industry heavy hitters. Names like Jeff Lorber on guitar and keyboards, Paul Jackson Jr. on guitar, Patrice Rushen on piano and vocals, and the incomparable Chris Botti on trumpet. Plus a few other notables as well.

The CD launches with a great track, We Got The Groove, that will definitely be heard on smooth jazz radio stations everywhere, and deservedly so. From there Albright proceeds to display why he is considered one the greatest smooth jazz artists of our time as he mixes his signature assertive, funky style throughout the CD. At points playing the flute, as well as alto, baritone and tenor sax.

Special notice should be given taken Gerald's High School friend Patrice Rushen's vocal contributions on track 7, New Beginnings.

It's also very easy to appreciate Chris Botti's input on track 11, Big Shoes.

Smooth jazz fans will want to keep an eye on the Albright, Lorber combination here. They really seem to have great musical chemistry.

Albright's rendition of Georgia On My Mind, track 5 has award winning capability. Remember you heard it here first.

I found track 9, Last But Not Least, to be one of those catchy tunes to which your toes just want to tap.

Overall New Beginnings is very good listening and is certainly a CD that smooth jazz fans, and fans of Gerald Albright in particular, will definitely want to add to their collection of smooth jazz CDs.

While this entire CD is outstanding the truly standout tunes are Deep Into My Soul [track 3], And The Beat Goes On [track 4], and Big Shoes [track 11]. My SmoothLee Bonus Pick, and the one that got Sore [ in "Stuck On REpeat"] is track 1, We Got The Groove. Very nice!

Release Notes:

This CD was originally released March 28, 2006 on the Peak Records label.New Beginnings is the latest smooth jazz CD released by Gerald Albright. The title most likely coming as a result of a lot of new things in Albrights life including a new recording label and a new Colorado home.

The CD made it's debut at number one and there is very clearly a reason for that. It's simply an excellent collection and vintage Albright.

Contributors on the project includes an amazing line up of smooth jazz and music industry heavy hitters. Names like Jeff Lorber on guitar and keyboards, Paul Jackson Jr. on guitar, Patrice Rushen on piano and vocals, and the incomparable Chris Botti on trumpet. Plus a few other notables as well.

The CD launches with a great track, We Got The Groove, that will definitely be heard on smooth jazz radio stations everywhere, and deservedly so. From there Albright proceeds to display why he is considered one the greatest smooth jazz artists of our time as he mixes his signature assertive, funky style throughout the CD. At points playing the flute, as well as alto, baritone and tenor sax.

Special notice should be given taken Gerald's High School friend Patrice Rushen's vocal contributions on track 7, New Beginnings.

It's also very easy to appreciate Chris Botti's input on track 11, Big Shoes.

Smooth jazz fans will want to keep an eye on the Albright, Lorber combination here. They really seem to have great musical chemistry.

Albright's rendition of Georgia On My Mind, track 5 has award winning capability. Remember you heard it here first.

I found track 9, Last But Not Least, to be one of those catchy tunes to which your toes just want to tap.

Overall New Beginnings is very good listening and is certainly a CD that smooth jazz fans, and fans of Gerald Albright in particular, will definitely want to add to their collection of smooth jazz CDs.

The Development of Jazz Music in the World (II)

After jazz spread throughout the United States, jazz had a variety of developments. In the 1920s, the color of jazz changed again and it was called Dixieland jazz.

Actually, Dixieland is the designation for the United States. Jazz was finally called Dixieland jazz because this jazz used more simple instruments. This jazz was also identical with the Americans at the time.

Some researchers said that this jazz did not use drums as a regulator of the rhythm of music, but rather used a kind of jagged wood, such as laundry equipment plus a few brass-section, such as trumpet, trombone, and clarinet. Also, it was added with a touch of typical American musical instrument, the banjo.

Over time, the instruments used in playing this jazz also changed. Dixie jazz began using piano, guitar instead of banjo, string bass instead of tuba, and then the drums began to be used again. In this music, improvisation was conducted jointly by the soloists from the beginning to the end of the song.

After dixie, jazz evolved again and the next form of jazz was known as swing jazz. In the swing, the improvisation was done in turns. It was said as the swing because this music swelled and swayed, and the rhythm of swing was very expressive.

When the dixie used beat 8 or 8 beats, swing used a triplet (3 beats) or 16 beats. Thus, the rhythm of swing jazz felt more intriguing because it was noisy and dense music. Swing era lasted from the early 1930s until the mid-1940. Because the swing hit almost all corners of the United States, swing became one of American cultures. This term was often called as Mainstream.

The Art of Jazz Music

Jazz music is a very popular form of music, this form of music has been a popular genre since the early 20th century, mostly present and evident in African American neighborhoods and then spread across America and Europe. Jazz has always influenced popular, more mainstream music, over the years it has gone through many evolutions, producing many different sub genres as time has gone on. Jazz is also influenced by the different cultures and regions it is brought into, with each culture adding its' own distinct twist on the genre. This has created many distinctive and different styles in jazz culture.

It's hard to define the starting point of the jazz music genre, as there are so many different sub genres and cultures that have involved themselves in jazz music. It's also very difficult to actually define jazz, and put some kind of label on it's traits and characteristics, as it has become so widely varied. One huge element of jazz music is definitely improvisation - playing around, rarely playing the same song or melody more than once, not having particular notes or keys to follow and experimenting with the music, which is a huge part of jazz's liberal, free feel. Early jazz movements also had a kind of call-and-response pattern, in which some players would play a note, only to have other people playing different instruments play the same thing, and so on it would go, making the genre a little bit competitive during live performances. Many early jazz musicians did not even know how to play music. However, this is certainly not to say that jazz players are not talented - they certainly are very talented, often more than classical performers. They often instead learn notes by ear.

Some trace the jazz music genre back to the late 18th century, when African slaves were first brought over to the United States. They would sing, chant or improvise the creation of song and instruments while they were forced to work in the slave trade. This is where jazz's call-and-response characteristic is from, it became a form of entertainment for the slaves. With the end of slavery, jazz music began to develop even more, as African-Americans were finally treated as people and were entitled to education. They began to perform early forms of jazz music as entertainment in nightclubs and other venues. 'Ragtime' was one of the first established sub genres of jazz, which became popular around this time, along with the rise of blues music. Jazz was especially popular in the South during this time, particularly New Orleans, where a lot of jazz music was developed and a lot of famous and influential jazz musicians first became recognized and known.

Throughout the early 1900s' jazz began to blossom and grow, as musicians played around more with the genre and its' possibilities. This included sub genres such as swing, gypsy jazz and European styles of jazz.Since this time, jazz has become a major influence and is even partially responsible for the invention and creation of other genres. It's amazing to see how music has evolved.

Top Jazz Songs at Lantaw

Some say jazz music is for intelligent people. Been singing professionally for almost six years now and I'm so grateful to have a band with all the top musicians in Cagayan de Oro. Blacknotes Band being the only jazz band in CDO plays at Lantaw Cagayan every weekend.

Here are some top jazz tunes and most requested songs at Lantaw:

   1. Through The Fire- from Chaka Khan's 1984 album I Feel For You which was co-produced by David Foster. This song stayed at Billboard Top 100 Hits for almost nine consecutive weeks.

   2. Better Days - composed and performed by Dianne Reeves. The song tells about a grown up child telling story about her grandmother. This has been a very common contest piece for singing competitions. Not only that the song's melody is quite hard, it also requires a high vocal range for you to be able to sing it.

   3. Waters of March - Aguas de Marco in Portuguese. This song was originally composed in Portuguese by Antonio Carlos Jobim. The song's real inspiration is during the rainy months of Rio de Janiero during March.

   4. Time and Tide - of course written and performed by the famous Polish jazz icon -Basia. This song is included in her debut album Time and Tide.

   5. Girl from Ipanema (Garota de Ipanema ) -a very famous bossanova song composed by Antonio Carlos Jobim. Among all versions covered- Astrud Gilberto's cover was the very famous. It tells about a guy singing for a Brazilian girl whom he loved though the girl doesn't even know him.

   6. Beyond the Sea -popularized by Bobby Darin. This song was originally French with its original title La Mer by Charles Trenet. He wrote this song in just ten minutes in ta rain during one of his travels in the French Middeteranean Coast.

   7. Shaker Song - originally an instrumental by Spyro Gyra. Manhattan Transfer made a cover of this tune.

   8. Feel So Good - under Chuck Mangione's album Feel So Good, this track was released in 1977 and made it No. 4 in the US Charts.

   9. Gold - a very famous hit in the 80's by Spandau Ballet.

  10. Wild Flower - performed by the one time one hit Bad - The Skylark wherein David Foster was one of the members of the bad.

  11. Para Sa Akin - an OPM song sung by the bossanova princess Sitti Navaro in her Bossa Cafe Album

Jazz Influenced Rock Music Of the Late 1960's and 1970's

When I took up guitar as a high school kid in 1968, rock music had entered it's golden age. Certainly the influence of Chicago-style blues was huge, and had been for several years [particularly in Great Britain], but rock musicians were searching for ideas and inspiration from other genres as well, including classical [The Moody Blues, Procol Harum] country/western [The Byrds], Afro/Cuban [Santana] and Indian [experiments by The Beatles and others]. But, the blues notwithstanding, it was the influence of jazz that made the biggest impression on the music and musicians of the late '60's and early '70's.

Instrumental performance became a focus of interest for many during this period. The virtuosity of players such as Eric Clapton, Mitch Mitchell, Jimi Hendrix, and Jack Casady was being recognized and applauded by audiences, and rock musicians began finding and listening to new heroes among jazz's elite players. Long, improvised instrumental jams became the norm during live rock shows. Jazz tunes were being covered by rock bands [Tito Puente's Oye Como Va by Santana, Roland Kirk's Serenade to a Cuckoo by Jethro Tull]. The IIm7-V7 chord progression, the backbone of jazz harmony, began appearing in pop tunes. Brass rock bands Chicago Transit Authority [soon to be Chicago] and Blood, Sweat and Tears were writing jazz-rock songs, i.e. rock tunes but arranging them in a jazz fashion, replete with bop solos, odd time signatures, sophisticated chord changes and swing grooves.

Jazz players had been recording on rock and pop sessions for years as anonymous session players, not for their jazz sensibilities but for their reading skills. But in the late '60's and 70's jazz musicians began appearing on rock records as featured players. Van Morrison's critically acclaimed Astral Weeks album featured bassist Richard Davis and drummer Connie Kay [of Modern Jazz Quartet fame], John Payne on reeds and Walter Smith, Jr. on vibes. Phil Woods soloed on Steely Dan's Dr. Wu and Billy Joel's Just the Way You Are. Yusef Lateef played on Leon Redbone's Double Time, and Charles Lloyd on The Doors Verdillac. And Joni Mitchell used personnel from Weather Report on 2 albums in the late '70's, including her collaboration with Charles Mingus in '79.

Mitchell was just one of several rock artists whose music reflected the influence of jazz. Carlos Santana recorded Caravanserai in 1972, a fusion of jazz, salsa and rock. He had recently become enamored with the music of John Coltrane and Miles Davis, and his new music expressed this interest. He bollaborated on projects with John McLaughlin and Alice Coltrane [which included Jack DeJohnette and Dave Holland]. The release in 1975 of Blow By Blow signaled Jeff Beck's transformation from rock guitar icon to jazz fusion innovator. And, of course, there was Walter Becker and Donald Fagan of Steely Dan, who acknowledged jazz influences from the beginning of their recording careers. And with each successive album, the Steely Dan roster included an increasing number of heavy jazz players, contributing not only in section work but arrangements and solos as well.

Acoustic Alchemy "American-English" Smooth Jazz Music CD Review

Smooth Jazz super group, and British instrumental ensemble Acoustic Alchemy celebrates over twenty years of smooth jazz perfection with the release of their latest CD entitled American/English. A CD that does not disappoint.

I must admit I wasn't really expecting much from American/English but must admit I was pleasantly surprised.

The CD begins with the smooth and laid back track The Crossing, then becomes more adventurous with the remaining 10 tracks.

The groups soul influences can be heard on track 5, The Detroit Shuffle, but this CD is clearly all about the strings and groove.

It appears with Greg Carmichael and Miles Gilderdale at the helm, like fine wine Acoustic Alchemy continues to improve with age. Producing their trade mark naturally smooth sound throughout the CD these guys are still at the top of their game.

I'm of the opinion that American/English is certainly Acoustic Alchemy's best work in a few years. A totally enjoyable CD and an outstanding release. What I call, must have music. I give it two thumbs up because it's a collection that even the casual smooth jazz fan can appreciate and enjoy the very nice mix of smooth and funky tracks.

The standout tunes and favorites on American/English are The Crossing [track 1], The Detroit Shuffle [track 5], and She Speaks American English [track 7]. My SmoothLee Bonus Pick, and the one that got Sore [ in "Stuck On REpeat"] is track 9, The 14 Carrot Cafe. Very nice!

Release Notes:

Acoustic Alchemy originally released American/English on March 29, 2005 on the Higher Octave record label.

CD track list follows:

1. The Crossing

2. Say Yeah

3. So Kylie

4. Trinity

5. The Detroit Shuffle

6. Cherry Hill

7. She Speaks American English

8. Lilac Lane

9. The 14 Carrot Cafe

10. Get Up (Levantar Y Bailar)

11. The Moon And The Sun

Origins of Jazz Music

There are a lot of people nowadays who enjoy great jazz music. In fact, almost every home has somebody who loves to listen to its cool rhythm and its moving beat. However, jazz music did not come along that easy since it all started. In fact, based on the origin of jazz, this type of music genre had its share of low times before it hit the popularity spot. While jazz is now being enjoyed by a lot of people, there was a time in its history when it was not as accepted as it is today.

Somehow, the popularity of jazz or its unpopularity at the onset had to do with its being clearly identified as black music. But now, when the issues of racial discrimination is slowly starting to wane, anyone can say that jazz music, which is being played not only by black people but also by white, is here to stay.

In general, the origin of jazz was believed to have started in New Orleans before it spread to Chicago and then on to Kansas City, then to New York City and finally the West Coast area. Both the vocals and the instrumental sides of the blues are known to be essential components that we can still predominantly see in this music genre today. There have been and there still are many types of the genre and this was all started with the ragtime that officially started in New Orleans or what is also known as the Dixieland jazz. Then, after this, there came the swing jazz, which was also known as the bop or bebop. Cool or progressive jazz followed thereafter, which was also then succeeded by the hard bop or the neo-bop.

Then, there was the third stream and the mainstream modern and the jazz type that a lot of people like to dance, which is the Latin jazz. Of course, rock and roll also made its influence on this music genre with the coming out of the jazz rock, which was followed lastly by the avant-garde or what is commonly known as the free jazz.

The origin of jazz actually started out in the later years of the 19th century and this was derived from the work songs of the blacks, their sorrow songs, their field shouts, their hymns and their spiritual songs, the melodic, rhythmic and harmonic elements of which were seen to have been dominated by African influence. However, because it was seen as a music genre that was improvisational, emotional and spontaneous in nature and because it was mainly associated with the blacks, jazz did not garner the level of recognition that it deserved.

It was the European audiences that showed warmer reception to jazz, making the jazz musicians of America go to this country to work on their trade. Jazz only gained a wider audience when adaptations or imitations of it were made by white orchestras. It was in the later part of the 1930's when it was known to have become a legitimate entertainment and this was when Benny Goodman initiated concerts at the Carnegie hall of groups having mixed racial origins.

True Jazz Music Devotees Archive Vinyl

Jazz has always been revered as a very colorful classification of music. You travel to another world when you listen to jazz. Jazz originated in New Orleans, LA in the early 1910s considerably due to the African-American residents. A combination of blues, ragtime, folk, and other types of music, jazz materialized as a kind of mimicry of European music of the age. Giving birth to numerous deviations over the years, jazz revolutionized the music stage in the south forever, employing brass, string, and percussion instruments.

Presently, there are a myriad of variations of jazz, differing from more seasoned styles like swing, big band, cool jazz, hard bop, and even more modern iterations such as jazz fusion and punk jazz, naming a few. The stylistic tone of jazz has evolved beside the rest of the music industry. Some would state that the mediums are opted for this very select breed of music, while others would argue that you can hear jazz on any platform. Jazz lovers admire their music, and vinyl is one of the chosen methods by which they enjoy it. You get more of an organic experience with vinyl than you do hearing music than you do with other mediums like CDs or on your digital media player. As another type of music, jazz has a power about it that can really be appreciated in more soulful ways.

Music lovers who amass jazz promote the platform of vinyl. It has such a vivid tone to it that when you listen to jazz vinyl, you really get an understanding of the atmosphere of the genre. When you understand it on vinyl, the resolute and distinctive feel you get from jazz cannot be ignored when you understand the distinction on other mediums, and you can better connect to the material and it really resonates the elements behind the music.

What other music platform could be played on the phonograph and transmit the same kind of feeling? For the past thirty years, DJs have been using vinyl to give a certain ambiance and edge to their art form, and even in the digital age, vinyl still stays true in their medium. When you listen to music on a vinyl LP, it engrosses you with a feeling of the past and appreciation for the genre that you don't gather anywhere else, and that also goes for jazz; its intense and striking sound can be experienced across many varying levels. Vinyl, like jazz, holds up and will never fully die, regardless of what music comes along in the future.

Music is a constant part of society, and it carries a lot of force. In amassing vinyl LPs, it backs the art form and helps keep music and the arts abundant. Defending the art form is all that matters, and these albums are works of art in of themselves that merit being heard the right way and acknowledged for decades to come for true-blue loyalists of jazz.

Kenny G "Ultimate Kenny G" Smooth Jazz Music CD Review

Grammy award winner Kenny G is still the man when it comes to smooth jazz saxophone and his latest collection of hits and popular selections, entitled Ultimate Kenny G simply adds to his previous official best of collection.

Ultimate Kenny G truly lives up to its title. Basically, it's an updated version of the Greatest Hits CD released in 1977. Only with an even stronger song selection.

I myself have been a huge Kenny G fan since the release of his breakthrough 1986 album Duotones.

The Ultimate Kenny G CD includes two unreleased tracks, including G's rendition of Celine Dion's My Heart Will Go On which is a track that had only been available as a free giveaway single with the initial pressings of the Greatest Hits CD.

The stand out track among the vocals is the classic What A Wonderful World. Performed with the late great Louis Armstrong's original vocal track.

Of course his trademark ballads Songbird, Silhouette, Forever in Love and The Moment are all included here as well as tracks from his last studio album Paradise and his 1999 tribute to the standards Classics In The Key Of G.

Also included are the rare tracks Everlasting and Jasmine Flower which had only been available previously on the Japanese version of The Moment.

An impressive list of vocal contributors on the CD include include Smokey Robinson, Chante Moore, Peabo Bryson and Lenny Williams.

Truly I have to say this is The Ultimate Kenny G CD, and is sure to please both longtime fans and newcomers to the Kenny G sound.

Overall Ultimate Kenny G is very good listening and is certainly a CD that smooth jazz fans, and fans of Kenny G in particular, will definitely want to add to their collection of smooth jazz CDs.

All About the Origins of Jazz Music

The essence of the sound of Jazz music is so versatile attributable to the sources from which it first commenced. In fact, New Orleans, Louisiana is the place where Jazz first started between 1850 and 1900 by African slaves in addition to the freed people of color. The first style of Jazz music was referred to as Dixieland.

In Africa from the Middle to Central to the West, one can hear the intricate rhythmic improvisation of the percussive instruments that is oftentimes found out with Music. These rhythms blended with the American Spirituals, Hymns, Blues, and the blue grass hillbilly musical sounds created a sort of seem the originated in Jazz music. Still, the music was just a peculiar noise without a specific title to call it fifteen years later in 1915. The truly amazing pianist Earl Hines born in 1903 played this kind of music prior to the title Jazz became an official style of music. The word "Jazz" which was formerly spelled as "Jass" has it's origins as a form of American slang utilized to describe the seem of music.

It is the reasonable of Jazz music that began as an offspring from the roots that created this music. Previously of the century the instruments made use of in music were European percussion, brass and woodwind instruments primarily for the military marching or dance bands.

Moreover, these instruments were employed in the funeral marches in the deeper party of the southern area and well as the northern. The essence of the beginnings of Jazz music finally became grew into it's own fashion with a unique shape. In addition, roots of music expanded the style to the point where it cannot be termed as pure folk music even when some of its roots began there.

Once the education system included the research of music to train musicians in a formal setting it paved the method for many to learn the techniques to create music from the heart. The importance of the beginnings of Jazz music is to learn all about the seem that numerous have fell in love with. Jazz music represents freedom to create color and sound that can be interpreted best by the performers and composers who create this style of music. The roots of music has been a topic worth debating over when it precipitates to labeling it a specific style. Duke Ellington himself explained it as "It's all music" because of the fact that the music has no particular structure or form it has to take.

The Development of Jazz Music in the World (III)

Jazz music that was rooted in the blues, evolved into New Orleans, RAG time, boogie woogie, dixie and swing. Then, in the early decades of the 1940s, jazz entered be bop era. Be bop music was the outlet of the Negro protest in the United States. The atmosphere of World War II made all of society and the musicians frustrated.

Therefore, in a period of 40s, the arcing of new musical forms - one of them was jump band - occurred. Jump band itself was the form of music group that brought the band music of humor and usually contained elements of porn in the lyrics. Then, jump band music branched out into R & B and inspired the form of rock'n'roll that was also a continuation of the development of boogie woogie in the direction of pop or rock music.

In be bop jazz, the limits that were applied in swing jazz were de-emphasized. Be bop jazz was also more expressive and inclined to be more progressive. Thus, since the time, progressive jazz term emerged and jazz music entered into the modern jazz era.

The emergence of rock music and its popularity throughout the world in 1946 were the toughest rival of jazz to keep going and growing. Finally, be bop collapsed and jazz became cool, so came the cool jazz term. Cool jazz lasted from 1949 until 1951. In those days, jazz experienced transition because of pressured by the popularity of rock music.

In modern jazz era or the '60s era, a new form of music - called as soul and funk - arose. Soul music arose from the influence of the gospel church with blues influence. Meanwhile, funk music had 'louder than a pin prick' meaning. It was understood associated with the worldliness because funk was more inclined to commercial.

In addition to these musical forms, there was form of music that was still loyal to the major groove of jazz, eventually called as the hard bop.

The American Influence Of Jazz Music

The Jazz music sensation began to rub off on other parts of the world which encourages the experimentation of melding their familiar sounds with the essence of Jazz. In Europe's country in the Region of France came the Quintette Du Hot Club de France who was responsible for the making of the early "Gypsy Jazz".

The Belgian guitarist Django Reinhardt created gypsy jazz by mixing the style of French Musette which was used in the dance halls, eastern European Folk known as Jazz Manouche, and American swing of the 1930's. The sound was developed by instruments from the string family which are a steel string guitar, violin, and an upright bass. The atmosphere of the Jazz music is seductive with sudden unpredictable twists, and accelerating rhythms. The French artist Bireli Lagrene plays this unique music with old elements of the past.

Another style of Jazz music that allowed the musicians to express themselves freely was the invention of Avant-garde or free Jazz music. Both of these styles stemmed from the Bebop era, yet produced a relaxed form of harmonic and rhythmic music in the 1940's and 1950's. The musicians John Coltrane, Dewey Redman, Charles Mingus, Sun Ra, Sam Rivers, Ornette Coleman and many more were the creators of the free Jazz music. Between the 1960's and 1970's the Latin musicians created the Afro-Cuban and Brazilian Jazz Music styles after Bebop musicians Dizzy Gillespie and Billy Taylor cultivated it.

Gillespie and Taylor was influenced by the music of Cuban and Puerto Rican musicians Chico O'farrill, Tito Puente, Chano Pozo, Xavier Cugat, Mario Bauza and Arturo Sandoval. Jazz music expressed in a Latin interpretation was termed Bossa Nova with origins in Samba music which is a mixture of Jazz, classical and pop music from the 20th century. Bossa is a moderate sound of music with Classical harmonic structure from Europe, Samba polyrhythm's from Brazil and cool music. The tempo of such a work is about 120 beats per minute. The instruments used in this particular sound is nylon stringed guitar, piano, high hat tap of eighths, tapping on the rim of the drum like Sade's "Sweetest Taboo", and a vocalist. The sound produced is a new relaxing sound where the acoustic sound of the guitar can lull one to sleep with it's easy melodic line.

Jazz: The Growth of Contemporary Jazz Music

Born in the early 20th century in African American cultures, jazz is a musical style that has developed and evolved all different genres of music. Dating from early 1910s to the 1990s, jazz has contributed to the growth of music. Sparking a rise to a variety of music styles, the spread of jazz across the world influenced trends from early New Orleans Dixieland styles to Latin Afro-Cuban even playing a part in the development of funk and hip hop in the 1990s.

Aside from playing a part in the growth of sub-genres, jazz within itself has been influenced by a variety of musical genres. Most commonly the trends of R&B, funk, rock, and pop music styles helped shape jazz fusion into what we know to be smooth jazz. With tracks of encoded rhythms and down-tempo beats, smooth jazz is often confused with styling of contemporary(urban) jazz music. A modern growth is urban jazz, which slot in aspects of hip-hop; which is intended for listeners who would normally listen to radio stations that play an assortment of hip-hop and R&B. While smooth jazz is soft and mellow is content; contemporary jazz music is blunter and grabs the attention of its listeners.

Among the players who commonly perform this style of jazz are Dave Koz, Boney James, Paul Jackson Jr., Nick Colionne, Bobby Perry, Urban Jazz Coalition, Streetwize, and Tha' Hot Club. As well as other contemporary jazz artists such as Bob Baldwin, Michael Lington, Brian Bromberg, David Lanz, Bobby Ricketts, Kim Waters, Daniele Caprelli, Ken Navarro, Walter Beasley, and Peter White. As popularity for late night radio airplay throughout the years grew; doors where open for contemporary jazz music artist like Kenny G, David Sanborn, the late George Howard, George Benson, Marc Antoine, Bradley Joseph and contemporary jazz flautist Najee. These jazz musicians had a tendency to play their instruments in at such a harmonious frequency that it was rare for the measures to go un-noticeable.

The contemporary jazz radio arrangement, which commonly played fifteen-minute sets involving instrumentals wrapping a vocal song or two continued to grow and flourish over the 1990s and early 2000s. In the late 2000s, most markets began losing contemporary jazz stations and in a variety of media markets, this arrangement does no longer exist over the air except online or on HD Radio.

Mel Bay - The Most Incredible Jazz Music Guitar Player Ever!

Jazz guitar player Mel Bay was born on February 25, 1913 in the small Ozark Mnuntain town of Bunker, Missouri. He bought a Sears guitar at the age of 13 and several weeks later played his first "gig." He recalled playing right up until his fingers were raw! Mel took up the tenor banjo shortly thereafter and continued to master both instruments. Throughout his teen years Mel played with a wild arsortment of bands and characters in rural Missouri. Perhaps no "gig" was as unusual as the job he landed with, in Mel's own words, "a snake oil salesman." This flamboyant peddler would pull his ostentatious Pierce Arrow automobile, complete vith steer horns installed on the grill, into the center of a small, rural town. Mel would sit on the car and play up a storm on the tenor banjo. Roon after a crowd gathered, the peddler took over and started extolling the miracles of his "wonder elixer."

In 1933 Mel Bay moved to St. Louis and commenced his professional career. He performed with a lot of local and traveling bands. Additionally, he landed staff guitar employment on various radio stations. Mel fronted his own trio (piano, bass, guitar) and played steadily for 25 years! He was equally adept on most fretted instruments and played mandolin, uke, Hawaiian guitar, tenor and plectrum banjo professionally.

Whilst Mel was actively pursuing his playing career, he continued to tutor as many as 100 students a week. He decided to commence composing instructional books of jazz guitar tabs and jazz guitar tablatures owing to the problem encountered by guitarists at performing great sounding chord forms in rhythm sections and due to the mediocore note reading ability prevalent amongst guitar performers.

Soon after World War 2 Mel was asked to publish instructional tutorials on guitar for soldiers wanting to learn music under the GI Bill. In 1947 Mel formed his own publishing company and authored his landmark initial book titled "The Orchestral Chord System For Guitar". This book is still in print and continues to be one of the best rhythm guitar chord books available! His "Modern Guitar Method" was authored soon thereafter. For many years Mel traveled from town to town talking to guitar teachers and players and showing them his publications. At one time Mel claims to have known virtually just about every guitar teacher in America on a first name basis! The guitar and Mel Bay's publications caught on in a big way in the 1950's. Things have continued to grow ever since.

Mel also used to retail D'Angelico jazz archtop guitars. At any given time he would have 5 or 6 "lying around the house." Mel played professionally on his D'Angelico New Yorker Model but his favorite guitar was the original Mel Bay Model constructed as a present for him by John D'Angelico. This well-known guitar had all of the main features of the New Yorker but was a "cutaway" model and had a somewhat thinner neck. This same instrument has been pictured on the Mel Bay "Modern Guitar Method" for decades.

The History of Jazz Piano Music in New Jersey

Due to its proximity to New York City, the world capital of jazz, New Jersey has had an interesting history with the genre. The piano as an instrument is particularly important to New Jersey's relationship with jazz music history because there have been so many important jazz pianists who came from this state.

In the early 20th century the Jersey shore was a hip place for young people to gather and listen to new music. Because of this, the jazz pianist William Basie, later known by his nickname "Count", quickly moved from playing in local venues around his home town of Red Bank to playing in jazz music clubs around Asbury Park. He soon decided to bring his Jersey-style piano rhythms to Harlem, which was the place to be in the mid-20's. Basie eventually established himself as one of the most important big band leaders of the 20th century and helped popularize swing for many generations.

Throughout the 50's jazz music was patronized by Pannonica de Koenigswater, a wealthy descendant of the Rothschild banking family and resident of Weehawken New Jersey. She was a friend of many of the most important artists in the evolution of bebop, the prevailing jazz tradition to this day. Charlie Parker, the inventor of bebop, died in the room of a hotel she frequented in the mid 50's. Additionally, Thelonious Monk, the jazz pianist widely known as the "high priest of bop", would spend the last years of his life living quietly with his friend Pannonica in her New Jersey home. Monk's appreciation both Pannonica and New Jersey are reflected in a few of his song titles such as "Pannonica", "Hackensack", and "Ba-lue Bolivar Ba-lues-are" (the last one was a tribute to another hotel Pannonica frequented). All of these were piano jazz pieces written in the bebop style.

In addition to those musicians patronized by Pannonica, there were other bebop jazz pianists who were born in New Jersey. The first one of note was Al Haig, famous for assisting Charlie Parker in creating the genre by playing alongside him in his quartet in the mid 40's. Haig was born in Newark, which was at that point another important center of jazz music innovation. Finally, the renowned jazz pianist Bill Evans, famous for assisting Miles Davis in the creation of his landmark album Kind of Blue, was born right in Plainfield New Jersey. Evans got his start playing locally in his brother's band before moving on to music school and eventually playing in New York City.

Jazz Music: A Quick Lesson on Its Roots

Ask anyone, even Jazz experts or Jazz musicians and they will have very different definitions to describe the music, or they will tell you that defining Jazz is impossible. It is of course easy to identify when you hear it despite the diversity of the genre. It is a home grown, United States born music with its birthplace credited to New Orleans and it is highly associated with the South.

To understand how diverse the genre of Jazz music can be one has only to view some of its subcategories: Bebop, Ragtime, Dixieland, Cool Jazz, Hard Bop, Modal Jazz, Free Jazz, Latin Jazz, Post Bop, Soul Jazz, Swing Jazz, Jazz Fusion, Jazz Funk, Smooth Jazz, Acid Jazz, and Punk Jazz, and many others. The word "Jazz" is as hard to define as the music itself. The origin of the word has been heavily researched and the American Dialect Society named it the "Word of the Twentieth Century" because of the difficulty in finding the origin and original use of the word and the amount of research that has gone into understanding the word. Despite the music being played many years before the use of the word "azz" to describe it, the use became common in Chicago around 1915. The first use of the word found is actually in a baseball article from 1913 and it was not associated with anything having to do with music, instead it was a form of slang mostly heard on the West Coast, yet it soon became a well known term for the unique and individualistic music to become well known as Jazz music. There are many that claim to have first used it to describe the music genre. Wherever the origin, it is one of the most recognized terms to describe a music genre despite there being few that can define it fully. The music just defines itself without words having the ability to fully do it justice.

"Individual and unique" are very good words to describe Jazz. The Jazz artist is often considered to be interpreting the music when they play. It is usually enjoyed live more than recorded due to the ability of the musician to individually interpret and play the music differently throughout performances. This is a unique property of Jazz music.

What has been commonly known as the "Jazz Age" is the time period of the 20's to early 30's that included the rise of speakeasies" where an older generation regarded the new music played in these clubs as immoral. It was so degraded by many that were threatened by the new wave of music, that they even blamed Jazz as having caused a heart attack of one music composer. The music persevered past its critics and soon there were standout Jazz musicians that were making a name for themselves that would keep them as historical figures. Louis Armstrong, Bessie Smith, Miles Davis, Billie Holiday, and Duke Ellington became well known and respected musicians and helped bring more fans to Jazz music.

Jazz has been described as "moving, passionate, and strong music influencing the senses of the body and soul". For those that discover a love for their particular brand of Jazz, it becomes a sought after music for times of relaxation, rejuvenation, and celebration. For those that have yet to fully discover all that Jazz Music has to offer, visiting a live Jazz concert, or a Jazz festival can be a very enlightening and enjoyable experience. Due to the popularity of Jazz and its American roots, there are many opportunities for someone to experience the music live in clubs, concerts and events across the United States.

Jazz Music Composition

Jazz music composition is the work of expert musicians with the ability to write, and create about the most memorable subject matter. What is more, Jazz music Composition is a course included in colleges and universities who deem it a valued subject to study. Composing Jazz music requires the theory of constructing chords that're altered or substitute that would fit within the rules of thumb of composition.

Meaning, experimentation is fine given that you know how to actually be fitted into the musical shocks in the piece in a way to not disrupt the flow. It is mandatory to look after the essence of Jazz music a component of you when creating, and keep all considerations to restrict creative imagination out of your head. The purpose of Jazz music composition is to create what you feel about any subject into the reasonable of your musical work. To find your way into the making of Jazz music composition you should observe the ability of basic theory in ear training, notes on various instruments, key signatures, scales, chords, intervals, counterpoint, harmony, melody, music terminology, clefs, meters and time signatures, transposing of various instruments, and music reading.

Being attentive to Jazz music from various artists will present you with a feel for the sort of composition you will need to create. You can begin with music arranging which is recreating an old song with new ideas. For example, it has been done over and over by professional musicians to use a public domain song, or ask permission to use a particular song. One example is Chaka Khan's " The End Of A Love Affair" written for Billie Holiday by Edward C. Redding in an arrangement that fit Chaka Khan. There are many versions of Jazz standards like "They Can't Take That Away From Me", "Misty", and "Stormy Weather" by different people who desired to either keep the elementary structure or interpret the song in their own personal special way. The basic rules to composing a Jazz Composition is to make a subject matter and plan the music around it.

Meaning, as in basic songwriting structure you will require a beginning, middle, bridge, and ending. The order is invariably up to the person(s )creating the music. You can start with the themes most frequent in notated Jazz and Blues sheet music or fake book forms. In addition, use the standard theory structure you find on sheet music as a format, but use your own personal ideas. In arranging, you can examine the standard format, and embellish on areas you think needs it. The direction one can go in music arrangement is infinite in keeping with the history of how each style of jazz music was created.

When making Jazz music composition one must continue to remember the essential element present in all true Jazz music which is improvisation. Jazz Improvisation is not notated in any shape, way, or form. As a matter of fact, the improvisation in Jazz composition is invented by pure emotion of the musician moved by the accompaniment. Improvisation in Jazz composition can be in the beginning, the bridge and also at the end of the piece. Most frequently there is embellishment in the heart of the piece, but it all depends on the mood of the creator of the music.

The Facts Beyond Jazz Music

Many people think that jazz is the music of the elite and well-established people. But, if you look into the roots of jazz, you will see the opposite. Jazz is an art of expression in the form of music. Jazz music is the fundamental music in human life.

Jazz tradition evolved from the lifestyle of black community in America who has been oppressed. Initially, the tradition began from the influence of tribal drums and gospel music, blues and field hollers (the shouts of cultivators). Its birth process has demonstrated that jazz was closely related to the life defense and expression of human life.

The interesting thing from jazz music was that the origin of the word "jazz" was derived from a vulgar term used for sexual acts. Most of rhythms in jazz were ever associated with the brothels and the women with an unfortunate reputation.

Then, in the journey of jazz, it eventually became an art form of jazz music, both in the specific composition and improvisation, which reflected the spontaneous melodies. Jazz musicians usually expressed their feelings that were uneasily explained because this music should be felt within the heart.

Jazz legend began in New Orleans and grew into the Mississippi River, Memphis, St. Louis, and finally Chicago. Of course, jazz was influenced by music in New Orleans, African tribal drums and the structure of European-style music. Jazz background could not be separated from the facts in which jazz was influenced by a variety of music such as spiritual music, cakewalks, ragtime and blues.

One of jazz legends who was believed was the legend around 1891. An owner of hair shaving shop in New Orleans, named Buddy Bolden blew his cornet and the time became the beginning of jazz music as a new breakthrough in the music world. Half a century later, American jazz music gave many contributions to the world of music. Jazz was also studied at university, and eventually became a serious music and was calculated by the world of music.

Jazz as a popular art began to spread to almost all of American society in the 1920s (known as the Jazz Age). Jazz was more widespread in the swing era in the late 1930s and it peaked in the late 1950s as a modern jazz. In the early 20s and 30s, "jazz" has become a common word.

5 Jazz Music Artists That Helped Define Jazz5 Jazz Music Artists That Helped Define Jazz

Sometimes it is surprising to note how many people know nothing at all about instrumental music or any music other than rock, pop, R&B, or hip-hop.

Jazz music in particular seems to be relatively inconsequential in many places, and a majority of the most well-known jazz music artists have passed on. Still, some people prefer listening to different types of music at times, and many who have been searching for unique vocal styles and improvisations have discovered the beauty and art behind jazz music.

Here are 5 jazz music artists you should listen to if you really want to learn about jazz:

1. Billie Holiday

When we discuss Billie Holiday today (1915-1959) it can be said that she remains one of the most popular jazz songwriters and female vocalists who ultimately helped define the jazz genre. Often referred to as "Lady Day", Billie Holiday was a singer who displayed a very distinctive vocal style which greatly influenced pop and jazz singing styles. Billie Holiday's most popular songs include: Good Morning Heartache, Lady Sings The Blues, God Bless The Child, and Strange Fruit.

2. John Coltrane

No serious discussion of jazz can be had without talking about John Coltrane (1926-1967). The impact he has had on jazz music is undeniable. Coltrane was a prolific composer, bandleader and jazz saxophonist who recorded over 40 sessions as a bandleader, and many more as a session sax player for fellow jazz musicians Thelonious Monk and Miles Davis.

Initially known for hard bop jazz and bebop, Coltrane is also recognized as one of the primary forerunners of free jazz. His most popular albums include: Giant Steps, A Love Supreme, and My Favorite Things.

3. Miles Davis

For many jazz fans, there is the idea that there would be no jazz at all if were not for Miles Davis (1926-1991). To many, his music is what jazz music is all about. In fact, Miles Davis is often recognized as one of the most innovative and influential jazz music artists of all time.

Davis was a trumpet player, composer, arranger, and bandleader who helped usher in several of the most important developments in jazz music including hard bop, bebop, cool jazz, and jazz fusion. Popular albums by Miles Davis include: Kind Of Blue, In A Silent Way, Bitches Brew, and Tutu.